A couple of days ago, I went to the Dallas Museum Of Art. They have some great stuff in there.
I also got a chance to check out the Nasher Sculpture Center for the first time. It was incredible. (I used to run the Jukt Micronics metal shop. Many of the artists that Mr. Nasher purchased had some serious metalworking chops. A few of them did welds that looked like birdshit on a wire, but most of us can overlook that.)
And then there was the Dallas Museum Of Art's exhibit called "Variations on Theme: Contemporary Art 1950s–Present" Much of the art in that particular display was pretentious junk. Give a relatively talented 8th-grader plenty of time and materials, turn her loose, and tell her to start painting/building/stuffing and protesting. Mix her output with that of the Modern Masters on display at the DMOA, and I would defy any layman to distinguish the 8th-graders stuff from that of, say, Mark Rothko.
But here's why you should go see that exhibit. The descriptions on the wall beside each painting are freakin' hilarious.
(To learn more about the descriptions and manifestos and stances and alliances that are now so critical to your enjoyment of contemporary art, check out Tom Wolfe's brilliant The Painted Word. It is not a satire. You'll laugh, you'll cry, and you'll go to the DMOA to see what he was talking about.)
This piece was my favorite. It's by Gerhard Richter, who Wikipedia claims is now the top-selling living artist.
Here's the description:
The text, just in case you can't read the pic, is as follows:
Gerhard Richter
German, born 1932
Mirror, 2008
Mirror glass
Lay family acquisition fund, 2010
This piece, which is a fully functional mirror, questions the nature of representation, a central concern of Gerhard Richter in his long career as an artist.
Shit, people, it's a fully functional mirror !! The sumbitch works !!!! And not only does it work, it questions the nature of that which it represents. YOU can look at it this mirror at the DMOA for only $14.00
Playing with the notion of what is an accurate depiction of reality, it simply and literally reflects what is in front of it, whether museum visitors or other works of art.
Much like the ones for sale at Home Depot.
The ubiquitous mirror is at once a common, everyday material and a mysterious object, invested with mythic capabilities and allusions, capturing a moment in both time and space.
It is almost impossible to pass a mirror without looking; it demands our attention, and thus, our time.
Here's the real thing, which rivals the Sistine Chapel ceiling, the Mona Lisa, and maybe even those paintings of dogs playing poker. It looks a lot better when other people are taking the picture.
By the way, I impovised some bullshit of my own when I transcribed the text that describes this mirror. I bet you didn't catch it, did you? None of it matters. It's just buzzwords piled on catch-phrases dumped in with jargon. And lots of "juxtaposition". Everywhere I looked, there was "juxtaposition".
One word of warning. I don't know much about Richter's work, but I think that this might not be the original Richter mirror. After a close examination, I think this might be a clever fogery done by another artist. Something about the style seems off, and the technique is less polished. Is there anyone in the DFW area who could examine this piece and make a determination?
This next bit o' commentary was in a different exhibition. They're impressed that this Japanese dude constructed two different J.C. Penney clothing pedestals that are filled with identical amounts of water. I think.
Here are the pieces in question. I swear to God I think that we used to stack books on these at Barnes And Noble, but they didn't have identical amounts of water in them back then. (The piece on the wall was actually kinda cool, but didn't have water in it.)
Anyway, I had a fun day off in the Dallas Museum District. Seriously, check out the other stuff at the DMOA, and be sure to take in the Nasher Sculpture Center.
I also got a chance to check out the Nasher Sculpture Center for the first time. It was incredible. (I used to run the Jukt Micronics metal shop. Many of the artists that Mr. Nasher purchased had some serious metalworking chops. A few of them did welds that looked like birdshit on a wire, but most of us can overlook that.)
And then there was the Dallas Museum Of Art's exhibit called "Variations on Theme: Contemporary Art 1950s–Present" Much of the art in that particular display was pretentious junk. Give a relatively talented 8th-grader plenty of time and materials, turn her loose, and tell her to start painting/building/stuffing and protesting. Mix her output with that of the Modern Masters on display at the DMOA, and I would defy any layman to distinguish the 8th-graders stuff from that of, say, Mark Rothko.
But here's why you should go see that exhibit. The descriptions on the wall beside each painting are freakin' hilarious.
(To learn more about the descriptions and manifestos and stances and alliances that are now so critical to your enjoyment of contemporary art, check out Tom Wolfe's brilliant The Painted Word. It is not a satire. You'll laugh, you'll cry, and you'll go to the DMOA to see what he was talking about.)
This piece was my favorite. It's by Gerhard Richter, who Wikipedia claims is now the top-selling living artist.
Here's the description:
The text, just in case you can't read the pic, is as follows:
Gerhard Richter
German, born 1932
Mirror, 2008
Mirror glass
Lay family acquisition fund, 2010
This piece, which is a fully functional mirror, questions the nature of representation, a central concern of Gerhard Richter in his long career as an artist.
Shit, people, it's a fully functional mirror !! The sumbitch works !!!! And not only does it work, it questions the nature of that which it represents. YOU can look at it this mirror at the DMOA for only $14.00
Playing with the notion of what is an accurate depiction of reality, it simply and literally reflects what is in front of it, whether museum visitors or other works of art.
Much like the ones for sale at Home Depot.
The ubiquitous mirror is at once a common, everyday material and a mysterious object, invested with mythic capabilities and allusions, capturing a moment in both time and space.
It is almost impossible to pass a mirror without looking; it demands our attention, and thus, our time.
Here's the real thing, which rivals the Sistine Chapel ceiling, the Mona Lisa, and maybe even those paintings of dogs playing poker. It looks a lot better when other people are taking the picture.
By the way, I impovised some bullshit of my own when I transcribed the text that describes this mirror. I bet you didn't catch it, did you? None of it matters. It's just buzzwords piled on catch-phrases dumped in with jargon. And lots of "juxtaposition". Everywhere I looked, there was "juxtaposition".
One word of warning. I don't know much about Richter's work, but I think that this might not be the original Richter mirror. After a close examination, I think this might be a clever fogery done by another artist. Something about the style seems off, and the technique is less polished. Is there anyone in the DFW area who could examine this piece and make a determination?
This next bit o' commentary was in a different exhibition. They're impressed that this Japanese dude constructed two different J.C. Penney clothing pedestals that are filled with identical amounts of water. I think.
Here are the pieces in question. I swear to God I think that we used to stack books on these at Barnes And Noble, but they didn't have identical amounts of water in them back then. (The piece on the wall was actually kinda cool, but didn't have water in it.)
Anyway, I had a fun day off in the Dallas Museum District. Seriously, check out the other stuff at the DMOA, and be sure to take in the Nasher Sculpture Center.