Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Sunday, February 9, 2014

From my garage archaeology project - a stash of 8-track tapes

From the Whited Sepulchre Garage Archaeology Project. A vintage 8-track of the Kansas classic "Point Of No Return".


I put away about 75 of these tapes on an upper shelf more than two decades ago, and dug them out last night.  Good times, good times. 

As I explained on Facebook to a 30-year-old-youngling, back when the earth was young, and the lava was still cooling, we didn't have cell phones that stored music.
We didn't have MP3's or Pandora, or even the now-primitive relic that you know as a CD. This was before we even had cassettes.
These were called 8-track tapes. 
It was a long spool of tape that had 4 separate L and R channels. You couldn't speed up or reverse. You could only switch around from track 1 to track 4. 
 As the tapes aged, you could often hear two songs playing at the same time, which you remedied by folding up a piece of paper to tilt the cassette upward in the player. 
 Most of them were eventually "eaten" by the tape player. They were the only recorded music that could be played in an automobile for a long, long, long, long time. 
 Late 1960s through the early 80's.

Here's Kansas doing "Paradox", one of my favorites from this album.  (I was a moderately bad violinist as a kid, and Robbie Steinhardt's rock violin artistry absolutely fascinated me.)  You can safely ignore the first 50 seconds.  It doesn't start crankin' until then. 
 

Monday, November 18, 2013

Frank Zappa on "Having A Strong Military"

Here's rocker Frank Zappa on the need for a strong military.  Or not. 


And here's some Zappa vs The U.S. Senate.  The Goracle shows up around the 7:00 minute mark.  (His ex-wife, Tipper, was a Zappa enemy, and was probably responsible for this show trial.) 

 

Thursday, July 26, 2012

"In The Dust" - Mike Blakely

I went to hear Mike Blakely and Jeff Posey play at Zio Carlo's Brewpub on Magnolia last night.  It's probably the 12th? 13th? time I've heard Mike. 
Great, great stuff. 
The Jihadist Safety Consultant was supposed to meet me there but he's becoming less and less reliable as he ages.  (If you haven't read about the Jihadist Safety Consultant, just Google him.  Jihadist Safety Consultant. Or hit the label down below that says "Rickle Abue-Noir) 

This is my favorite Blakely tune.  Enjoy !!



There were eighteen dirt road miles and more
Between my place and her front door
When the weather got dry
That dust would cover my beat up Ford


I remember so well that first sweet night
She said please stay and I said all right
When I woke up in the morning
She was driving away to work

When I looked for a note I was out of luck
Till I walked outside to my beat up truck

She wrote:

"I" on the left front fender
"Love you" on my door
"Forever" all the way to the tailgate of my beat up Ford
She made hearts on all three hub caps
O what a sweet reward
"I love, you forever" written in the dust of my beat up Ford

Well I never could dream some words in dust
Would make my heart just dang near bust
Maybe you can understand now
Why I never do wash that truck

And a lot has changed ever since those days
We got three kids that road's been paved

O only yesterday in blew a wind storm full of dust
So early this morning she woke up
Found my note on her brand new truck

It said:

"I" on the left front fender
"Love you" on her door
"Forever" all the way to the tailgate of her brand new Ford
I made hearts on all four hubcaps
O what a sweet reward
"I love you, forever" written in the dust of her brand new Ford

So early this morning she woke up
Found my note on her brand new truck

It said:

"I" on the left front fender
"Love you" on her door
"Forever" all the way to the tailgate of her brand new Ford
I made hearts on all four hubcaps
O what a sweet reward
"I love you, forever" written in the dust of her brand new Ford

On the left front fender
"Love you" on her door
"Forever" all the way to the tailgate, she goes all the way
Made hearts on all four hubcaps
O what a sweet reward
"I love you, forever" written in the dust of her brand new Ford

In the dust
Left in the dust
Found it in the dust
She wrote "I love you, forever"
In the dust of my beat up Ford

Monday, June 4, 2012

The Tragic Story Of Albert's Fingers

I’ve written a lot on this website about the advantages of hiring ex-convicts. By overlooking their time spent as Involuntary Guests Of The State, you can sometimes hire brilliant people, hard workers no one else is willing to take a chance on, often for half the wages that their skill levels would otherwise demand. You must be willing to tolerate Parole Officers, Probation Specialists, Drug Testers and their ilk, all calling your employees away for useless bureaucratic “counseling” sessions at odd hours. Those wanting good workers at half price will find a way to deal with the inconvenience.

If that sounds like exploitation of the unfortunate, let’s see you walk into your boss’s office with a warped colony of Registered Sex Offenders and try to get ‘em hired. Let me know how it works out for you.

About 10 years ago, my employer cooperated with a church organization called Narrow Gate Ministries, a charity which gave ex-cons a 2nd chance at jobs, housing, and society. Some of Narrow Gate’s clients were outstanding people who just happened to get caught with a nosefull of Bolivian Marching Powder. Others had a drinking problem. Narrow Gate took in thieves, smugglers of Mexican illegals, forgers, sex offenders and addicts, and tried to straighten them out. We then hired almost all of them, whether they were straightened out or as warped as the Titanic’s shuffleboard court. Lordy, it got bizarre.

One the Narrow Gate clients was a guy named Albert. (Not his real name.) Albert was a talented pianist and singer who often performed for Narrow Gate events and at the dinners for the street people that my church sponsors. The man could do gospel songs like an angel. Like many recovering addicts, he was a deeply spiritual man, a nice guy, polite and respectful to everyone he worked with, and he loved cocaine more than he loved life itself. We put him to work in the plastics shop. “I love my job, I love this opportunity, and I love this second chance The Lord has given me here,” he would say to anyone who would listen. He should have added “But most of all, I love cocaine.”

By most accounts, Albert did a good job for about 3 months. Then he vanished for two weeks of narcotic bliss, inhaling white devil dandruff. The plastics manager fired him for job abandonment.

Because he had ingratiated himself with one of the company owners, we discovered that Albert couldn’t be fired. He could only be shifted. This benevolent company owner (a great guy, friend to all) unfired Albert and had him placed at our wood shop, three miles down the road.

“I love my job, I love this opportunity, and I love this second chance The Lord has given me here,” Albert said. Some employees corrected him, and claimed that Albert was up to at least chance number three. Seventeen or eighteen if you include the rehabs, the prison stints, and the other jobs that didn’t work out. But Albert had no yesterdays, only tomorrows.

Albert worked at the wood shop for about a month and then missed five shifts because he was riding the white rails at some friend’s house on the east side. (Insert a recording of Jackson Browne’s cover of “Cocaine, running all round my brain” here.) The wood shop manager doesn’t take that kind of crap, and he fired Albert for job abandonment.

Albert’s sponsor-owner-savior unfired him some more, gave him another stern talking-to, and then transferred him to work for me at the metal shop. I had already been warned about Albert. My fellow shop managers told me that Albert was deeply religious, deeply spiritual, deeply committed to doing a good job, and even more committed to cocaine. They also told me that I would get the best two weeks of Albert’s life out of him, and that I should fire him some more when he disappeared to go a-snorting through the Bolivian Poppy Patch.

I met with Albert, and welcomed him to the metal shop.

He said “I love my job, I love this opportunity, and I love this second chance The Lord has given me here.” He went on to explain what the apostle Paul REALLY meant in the book of Romans. I don’t remember the details.

At the time, I had about 100 employees working 3 shifts. In addition to my typical homegrown sprinkling of Brothers, Homies and Rednecks, I had Salvadorans, Guatemalans, Eritreans, Ethiopians, Cambodians, Vietnamese, Bosnians, Serbs, and Croatians. (I’m happiest when my crews represent multiple eras of failed U.S. Foreign Policy Adventures. When the boatloads of Iraqis, Afghans and Libyans arrive on our shores to escape the devastation we’ve made of their home places, I’ll be waiting for them with job applications.)

I had two drummers, three guitarists, and one Mexican who was pretty good on harmonica.

Our entire company (wood, metal, plastic and office) had 300 employees at the time, and only one decent piano player. Albert.

A couple of weeks after Albert joined us at the metal shop, I told Albert, the piano player, to operate the shear.

A shear is a giant pair of scissors activated with a foot pedal. Mash the pedal and the blade comes down, slicing whatever is being fed to it. If you’re cutting a lot of metal into small pieces, say, 1”x4” strips, you can get a nice rhythm going, feeding the metal into the blade while marking time with the foot pedal. Chunka chunka chunka chunka chunka chunka feed it in, hit the pedal feed it in hit the pedal feed it in. Get a new strip of metal and feed it in. Chunka chunka chunka chunka chunka chunka. Do it for several hours. Chunka chunka chunka chunka chunka chunka feed it in hit the pedal feed it in hit the pedal.

Oh, and one other thing.....Keep your hands out of the blades. 

We needed some scrap sheet metal cut into 1”x4” strips that would eventually be drilled and folded into a bracket.

And I told the Albert, the piano player, to operate the shear.

By the end of his shift that day, Albert was on autopilot. Zoning out. Chunka chunka chunka chunka chunka chunka feed it in hit the pedal feed it in hit the pedal feed it in.

You know that feeling when you’re getting out of your car and your brain tells you that the keys are still in the ignition, but your brain can’t multitask and tell your arm and hand not to slam the car door with the keys inside? Weeks later, that’s how Albert described what happened next. He knew his hand was under the blade when his foot hit the SLICE pedal. There was nothing he could do about it. Chunka chunka chunka chunka chunka chunka feed it in hit the pedal feed it in hit the pedal. But remember to get your hands out of the way before you hit the pedal, remember to get your hands out of the way before you hit the ped…..!!!

I’m not going to repeat Albert’s damn explanation in any damn detail, because I’m the one who told our only damn piano player to operate the damn shear.

I was in my upstairs office when my friend Mike ran in and out of the doorway saying “You gotta get Albert to the emergency room ! He just sliced all his fingers off in the shear !!” I followed Mike down the fire escape stairs three at a time and ran toward my truck – a red Ford Ranger. Panic was dripping across the parking lot as far as I could see. Battle-scarred welders and sheet metal specialists were gathering and ungathering in conversational knots of freak out. Brent, my co-manager, was helping Albert walk in a circle, his hand wrapped in our white emergency towels. Albert was slowly wading through the invisible panic, mumbling and praying.

After getting Albert into my Ranger, they told him that I was going to drive him to the Harris Hospital Emergency Room and that he was going to be fine. Easy for them to say, because they didn’t have to drive through all the blind freakin’ panic that was spreading from the door of the Fabrication Shop all the way to the hospital. Brent handed some stuff through the window and said something about extra towels if I needed them. I put the towels between Albert and me and stomped the accelerator. We were off.

It was 4:00 in the afternoon, the time when Interstate 30, Fort Worth’s shortest distance between the two points of Work and Hospital, moves with the starts and stops of a drunken caterpillar. It was infuriating. Didn’t these people know that I had a bleeding cokehead in my passenger seat? Albert was weaving back and forth, clutching his butchered hand and singing softly...

Amazing Grace, how sweet the sound,

That saved a wretch like me….

I can still see the bus that was moseying down the highway in front of me, doing a safe and prudent seven-point-three miles a freakin’ hour, blocking my path to the emergency room. Jesus H. Christ, what was wrong with these people?

I once was lost, but now I’m found,

Was blind but now I see.

Speaking of lost, I considered going off-interstate for a while, but that area had been under construction ever since LBJ was governor. Plus, when I get turned around I sometimes can’t find my way out of a sack.
I could imagine explaining why Albert had bled to death in my truck: “See, I thought I was still driving towards Harris Hospital, but when I finally saw a familiar landmark, I realized I was about three miles from the Branch Davidian compound in Waco….” So I stayed on the interstate, moving slightly faster than the crew who had laid the original asphalt. Albert kept singing:

“Through many dangers, toils and snares,

We have already come….

We’d gone less than half a mile from the shop, God help us. I was blowing my horn and cussing the traffic. What would happen if we both started screaming? What level of panic would I hit?

And then something magical happened, something I was privileged to experience. Albert, doubled over in pain, stopped in the middle of the verse. He looked at me and said “Sing it with me, Brother Allen. Sing it with me.”

There was no rage, there was no anger. There was only Albert’s acceptance of the situation as we edged down the interstate, and his invitation for me to join him.

T'was grace that brought us safe thus far,

And grace will lead us home.

All modesty aside, I can harmonize with a chainsaw. I threw a tenor part on top of his melody. Damn, we sounded good. It was getting surreal in the red Ford Ranger.

“When we’ve been there ten thousand years,

Bright shining as the sun…

Albert’s voice was that of someone who had tried his best and been defeated so many times that he saw life as something to endure rather than enjoy. Albert didn’t care if he got out of this alive. Some of us go through life with a bumpersticker that says “I Make Shit Happen”. For years and years, Albert’s bumpersticker had read “Shit Happens. To Me.” He’d carried the monkey on his back for so long, watching it grow from a cute little baby chimp - to be brought out for fun on weekends - into a full-grown hairy-assed gorilla that demanded attention and feeding and money, 24/7. Albert is the only person I’ve heard sing about heaven and sound like he looked forward to going there.

We’ve no less days to sing God’s praise,

Than when we’ve first begun.”

We hadn’t covered half the distance to the hospital, and the cloth on Albert’s hand was soaked red and dripping down the truck seat. Holy Jesus, holy Jesus, let me get to the hospital. Albert was almost my height but probably weighed the Opium Diet Optimum of 130. Could I possibly abandon the red Ford Ranger on the side of the road and carry Albert on my back to Harris?

Shall we gather at the river,

Where bright angel feet have trod?

With its crystal tide forever,

That flows by the throne of God?

I didn’t want to gather at the river, even if it flowed by the collective thrones of Princess Di, Princess Grace of Monaco, or the Demon Baron Of Hell (from Doom 2.0). I wanted to gather at the Henderson exit from I-30, and quickly. I sang anyway.

Yes we’ll gather at the river,

The beautiful, the beautiful river.

Gather with the saints at the river,

That flows by the throne of God.

At this time in my life, I was coming off a crisis of faith of sorts. But I had to admire Albert’s worldview. I had nothing to hang onto. Right or wrong, Albert had something that I’d lost. I was envious. Would I give up some fingers to have it again? I dunno. Albert was armed with a Defense Against The Dark Arts, and I had nothing. If I’d fed my fingers into a shear, I wouldn’t be singing about the peace in my soul.

I've got peace like a river

I've got peace like a river

I've got peace like a river in my soul

I could see the hospital in the distance, there by the river in my soul with the crystal tide forever on the far side of the toils and snares and saints and all that other crap gathered at the river where I was blind but now, thank you Jesus, thank you Jesus, I see. I could see the hospital.

Once I turned off the interstate we made better time. The hymn festival ceased. It was time to think, time to run stop signs and red lights, time to drive on the damn sidewalk if necessary. Albert started mumbling prayers through the red Ranger roof. How in the hell does he do this? I thought. If I cut my fingers off, I would be screaming and cussing.

Getting into the parking lot was a relief along the line of the bomb squad correctly snipping the red wire instead of the blue. Albert had sweat running down his face to a degree that, combined with the blood loss, made me worry that he would pass out and leave a pile of dust in my truck seat. I pulled into the emergency room overhang, threw the truck into park, and got out to help Albert inside. Attendants met me halfway with a wheelchair. I briefly explained the situation and they told me to park the truck and come back.

“You don’t understand,” I said. “This is Albert, and he plays the piano, and….”

“Sir, do us a favor,” the attendants said. “Go park your truck.” (I must not have looked like a normal human at this point.)

“But he plays the piano,” I said stupidly.

“Go….park….your….truck !” they snarled. This was obviously not their first rodeo. They’d obviously seen guilt-stricken metal shop managers who had chopped off their piano player’s fingers before.

I parked the truck and called our Human Resources manager. I explained that Albert was now in good hands, and that I would keep everyone updated.

I went into the emergency room and the desk guardians allowed me to go into the back room where they were working on Albert. Albert was staring at his ruined hand and telling every passing doctor and nurse “No morphine. No morphine. No morphine.” Can you imagine the willpower that took? Hell, if you’re a recovering addict and cut your fingers off, don’t you get a free pass for just one day and get a little shot of something to equalize all the bad karma?

I called Mike and Brent back at the metal shop, and told them that I’d made it to the hospital and that they were working on Albert’s hand.

“Are they going to be able to re-attach them?” Mike said.

“Re-attach what?” I said.

“His fingers.”

“How can they attach his fingers,” I said.

“Allen, they can do surgeries where they re-attach fingers.”

“What do you mean, re-attach his fingers? I said for the last time. Mike was obviously speaking an Ebonics dialect of Choctaw, while I could only speak in the informal Pig Latin variant of Sanskrit.

“We gave you his fingers, didn’t we?

“When in the shitting damn hell did you give me Albert’s shit damn hell fingers?”

“Dude, when we gave you all those towels, some of those had Albert’s fingers in them.”

There were three seconds of silence on the phone. Then the sheer (I typed that the first time as “shear”, as in the slicing machine. Freudian slip.) , the sheer godawfulness of the moment overwhelmed me. I hung up without saying a word.

I ran out of the E.R. and into the parking lot. Where did I park, where did I park???

Then I saw it, my beloved red Ford Ranger. It was sitting there, throbbing, with Albert’s fingers somewhere inside. You know those movie scenes where the camera zooms in and zooms out several times, just to increase tension? My truck wasn’t doing that at all. My truck just sat there, pregnant with fingers that I was going to have to deliver.

I unlocked the truck. I reached in for the remaining unused towels in the middle of the seat. The top one didn’t have any fingers in it. Nor did the second one.

The third one was full of fingers. Yep. The fingers were wrapped in towel number three.

I picked up the towel, which was warm and squishy, and trotted back into the emergency room with it. Marched right through there and into the treatment center. They’d given Albert something (not morphine-based) for the pain, and he was in a fingerless blissful state.

I found a doctor and handed him the towel full of fingers.

“Here. Y’all might need these.” I said, and got out of there.

*******************************************

The doctors weren’t able to re-attach Albert’s fingers. It turns out that he only sliced off the tips of some of them, less than a knuckle’s worth on any of them. The stuff that Brent and Mike had given me in the towels was just some mangled finger meat of a type that I never want to handle again.

Albert eventually collected a handsome Workers Comp check. He was still able to play the piano. We lost touch with him years ago.

I’ve thought a lot about that intense, horrible, wonderful ride down Interstate 30 towards the hospital, singing those old hymns and gospel songs with Albert. I thought a lot about how Albert seemed to have something that I’ve lost. He had something to get him through the bad times.

Whatever it was that Albert had, I’ll never own it again. I can’t go back there to that childlike faith.

You see, I’m the man who allowed Albert to slice off his fingers, and then lost the fingers.

Tuesday, March 27, 2012

Now They're Wanting To Ban Car Radios !!

Well, they wanted to. 

Go here for the entire sordid story of Ray LaHood's predecessor, a Nanny-Stater named George Parker.  He thought that you would never be able to operate a car radio without being a danger to yourself and others. 


My favorite paragraph:

Two state senators were more than happy to empower Parker, according to an Associated Press report from the hearing. Senator James C. Moran offered legislation that would enlist “neighbors of an applicant” to “sign affidavits as to the driver’s moral fitness”; Senator William E. Weeks sponsored a bill that would “require a physician’s certificate for an applicant for a driver’s license.”


And that, ladies and gentlemen is why right-thinking people must always watch out for the busybodies amongst us.  Vote them out. 

Vote Libertarian. 

Thursday, February 2, 2012

A C Minor Chord Walks Into A Bar....

Some knowledge of music theory is required on this one....


C, E-flat, and G go into a bar.
 
The bartender says, "Sorry, but we don't serve minors."
 
So E-flat leaves, and C and G have an open fifth between them.
 
After a few drinks, the fifth is diminished, and G is out flat. F comes in and tries to augment the situation, but is not sharp enough. D comes in and heads for the bathroom, saying, "Excuse me; I'll just be a second."
 
Then A comes in, but the bartender is not convinced that this relative of C is not a minor.
 
Then the bartender notices B-flat hiding at the end of the bar and says, "Get out! You're the seventh minor I've found in this bar tonight."
 
E-flat comes back the next night in a three-piece suit with nicely shined shoes. The bartender says, "You're looking sharp tonight. Come on in, this could be a major development." S
 
Sure enough, E-flat soon takes off his suit and everything else, and is au natural.
 
Eventually C sobers up and realizes in horror that he's under a rest.
 
C is brought to trial, found guilty of contributing to the diminution of a minor, and is sentenced to 10 years of D.S. without Coda at an upscale correctional facility

Sunday, September 4, 2011

Dr Ralph has thrown in the towel. But that doesn't change anything.

My friend Dr. Ralph has apparently given up on The Teleprompter Jesus.  We're sitting at my favorite bar, The Corporate Image, having finished an acoustic guitar jam.  The good Doctor was kind enough and gracious enough to direct me to this post. 
It doesn't say anything about the failure of Obama's Keynesian economic policies, just the defeats and failures on the topics nearest and dearest to Dr. Ralph's heart. 
Be sure to read the Doctor's last sentence.  It can be summed up as follows: 


Dr. Ralph has approved this message.  He now wants the world to know (now) that he was a Hillary delegate in 2008. 
I can't quite swing him over to the Ron Paul camp. Dr. Paul is too dang honest for Dr. Ralph's taste.  Dr. Ralph respects the fact that "Dr. Paul has removed the filter from his mouth and brain".  That's a direct quote from Dr. Ralph.
Dr. Ralph has approved this message. 

Friday, August 12, 2011

"Acoustic Song Circle" this Sunday afternoon in Fort Worth

"Acoustic Song Circle" at The Corporate Image, this Sunday at 2:00.  5418 Brentwood Stair Road in Fort Worth.  Bring your guitar and 3 chords, or just show up and listen and drink a few.  It's a fun time!

(The gent who is 2nd from the right in the gray T-shirt is our infamous Dr. Ralph.  Dr. Ralph can play his Democrat rear end off, BTW.) 


Here's how it works.  Somebody starts a song.  The people who know the song play along with whoever is taking the lead on it.  The people who DON'T know the song play along with whoever is taking the lead on it.  Sometimes harmonicas are brought into the equation.  No fake British accents are allowed. 


Other people take turns soloing over the chords every now and then. 

This is me, trying really hard to remember the lyrics to something. 


We're doing this every Sunday afternoon until football blows up the Sunday afternoon time slot.  Hope you can make it this weekend !!

Friday, June 17, 2011

Barack Obama and Libya and Superman and The Justice League and The Beatles

We are supposed to be a nation of laws. 

One of those laws states that Congress alone has the power to declare war.  If there's an emergency, the President can use the troops and planes and boats and bombs and nukes all he wants, but he has to get Congressional approval for anything lasting longer than 60 days. 

We've been bombing the crap out of Libya for longer than 60 days.  If this had been done by anyone but a Nobel Peace Prize-winning, warm and fuzzy, anti-militaristic Democrat, the calls for impeachment would be on the front page of every newspaper.   

John Boehner, under some pressure from people who wonder why we're getting involved in war number 4 or 5, depending on how you count, finally sent The Teleprompter Jesus a letter demanding to know why we were still involved without Congressional approval.  Here's what he got back:

The initial phase of U.S. military involvement in Libya was conducted under the command of the U.S. Africa Command. By April 4, however, the United States had transferred responsibility for the military operations in Libya to NATO and the U.S. involvement has assumed a supporting role in the coalition's efforts. Since April 4, U.S. participation has consisted of: (1) non-kinetic support to the NATO-led operation, including intelligence, logistical support, and search and rescue assistance; (2) aircraft that have assisted in the suppression and destruction of air defenses in support of the no-fly zone; and (3) since April 23, precision strikes by unmanned aerial vehicles against a limited set of clearly defined targets in support of the NATO-led coalition's efforts.

Where to begin, where to begin.....

Let's start with this:  We are NATO.  Just like we were with The Allies in the war against The Axis.  Just like Superman is a member of the Justice League.  If the Justice League fights together as a team, Superman is still fighting.  Having Aquaman, Batman, Wonder Woman, Flash, and Captain Marvel by his side doesn't negate the fact that he's still fighting. 



Whenever Allen Patterson pounds something really stupid into the internet, he can't blame it on The Whited Sepulchre when he sobers up.  In the words of the Beatles....

"I am he as you are he as you are me as we are all together."

The United States is 75% of NATO.  It wouldn't exist without us.   

Moving on, let's get to the business about providing "non-kinetic" support.  If Mexico were to invade Texas, and Cuba was supplying the Mexican navy with "non-kinetic" support, we would sink the Cuban supply ships that were providing Mexico with "non-kinetic" support.  We wouldn't think twice about it.

If we shot down a Mexican Air Force plane over San Antonio, and Cubans were aiding the Mexicans in search and rescue, we would try to stop the Cubans.  We would consider them as hostile combatants. 

Okay, about that "no-fly zone"....  If Mexico declared Texas to be a "no-fly zone", and Cuba helped "suppress and destroy" our air defenses, we would see it as an act of war on the part of Cuba, not the incident result of a non-kinetic military action. 

Regarding Obama's last point about "unmanned aerial vehicles"....  If you're getting bombs dropped on your head, I don't think you care if it's being done by the pilot in the plane, or an Air Force kid with a joystick at a base somewhere in Wisconsin.  The result is the same.  We're dropping bombs on Libya. 

Barack Obama needs to ask Congress for a declaration of war against Libya, because we're at war with Libya. 

Congress needs to man up and demand it.  Then vote it up or down.  That's how it is supposed to work. 

Speaking of  "I am he as you are he as you are me as we are all together", here are The Beatles doing "I Am The Walrus". 



Thursday, June 2, 2011

Charlie Robison at 8.0's in downtown Fort Worth

Because God loves me, and wants me to be happy, I got to hear one of my heroes do an all-acoustic show at 8.0's in downtown Fort Worth last night. 
Yes, Charlie Robison took on human flesh and dwelt among us. 


Thanks to the generosity of The Aggie, I'd heard him with his new band about a month and a half ago, for something like the 12th time.  But this was the first time I'd been to an all-acoustic show. 



The hairy guy backing Charlie up was excellent. 
The sound system was excellent. 

Charlie did all of his standard schtick: Lots of Fake Irish Dancing in the crowd for "John O'Reilly", inviting some ladies to sing with him on "The Wedding Song", and and getting the crowd to sing along during "Loving County". 

In the middle of everything, just to prove that he could, he threw in a couple of Steve Miller songs. 

I was close enough to the stage to touch the hem of his garments. 

It was a great, great time.  Charlie's music makes me glad to be alive. 

Here's Mr. Robison doing an acoustic version of "John O'Reilly".



Wednesday, June 1, 2011

A letter to my unborn grandchildren about ObamaCare ®.

To my grandchildren, who probably won't be born until around the year 2020,

By the time you're old enough to care anything about reading this, I'll probably be dead.  Please come see me at Greenwood Cemetery in Fort Worth, Texas.  If things go as planned I won't be in a grave, but in a Sepulchre - ideally, a very white one. 

There's a kid named Josh Ritter whose music I really like.  If he's still alive and still making music, could you please drop by and play some of his new CD's in the cemetery for me?  Or his MP3's?  Or 8-tracks?  Or whatever people are now using to play music?  It doesn't matter. 

The reason I'm leaving you this message is that I want you to understand how good we had it in the U.S. in the year 2011.    I'm afraid that my generations is not going to leave you very much to work with.  (This is off-topic, but on behalf of my generation, I apologize for leaving you with that massive national debt.  I hope your Chinese creditors are going easy on you, and allowing you to work it off on the weekends.)
 
Back to my point....Several months ago, the U.S. government passed a set of regulations that we're calling ObamaCare ®.   Our previous system had its faults, among which were over-regulation, insurance not being allowed to cross state lines, and excessive credentialing.  But people came here from all over the world for medical treatment. 

During this same time period (I'm writing this in June of 2011, and I have no idea what kind of device you'll be using to read this in 2035),  England's socialized medical system had a goal of getting people into their emergency rooms in four hours.  That's four hours from the time a patient showed up until they were admitted, transferred, died, or were discharged.  Yeah, people died outside while waiting to be admitted to National Health Service hospitals.  The British government had a goal of treating all patients in 18 weeks.  (To us, this is a ridiculously long period of time.)  One British guy that I've corresponded with a few times has started something called the National Death Service blog.

For reasons that I still don't understand, we decided to imitate the British system.  Once again, on behalf of my generation, I apologize. 

Just so you'll believe these things once existed, here are some pictures of billboards advertising the emergency room services of American hospitals in the Year Of Our Lord 2011.  Our 2011 hospitals actually bragged about their short waiting times !!   At the time this picture was taken (using a primitive device we called a camera), the waiting time at this hospital's emergency room was 13 minutes. 



Think of how long you now have to wait and wait and wait to see the government-approved doctor for your zip code.  Compare that agony to this:


   Don't you wish that your U.S. Government hospitals still had to compete for your business? 



I hope you kids are doing well, and are staying healthy, and don't need hospitals.

Once again, sorry about that national debt.  I bitched and moaned about it online and tried to get people to vote Libertarian.  It was the best I could do. 

There was another guy named John Prine whose music I really liked.  If you could find his CD called "Bruised Orange" and play it outside my sepulchre, I'd appreciate it.   

I wish I could see you now,

Your Grandfather

***************

I don't know if these links will work in the year 2035, but the billboard pictures came from here and here and here and here and here. 

Here's John Prine doing "That's The Way The World Goes Round" from that "Bruised Orange" CD.  I really liked this song.   



Saturday, May 28, 2011

Gil Scott-Heron, R.I.P.

Gil Scott-Heron has left the building. He was 62. 

I first heard him on the old 1979 "No Nukes" album. 

Here's "We Almost Lost Detroit":



And the classic "The Revolution Will Not Be Televised":

Tuesday, May 24, 2011

How to learn to appreciate Bob Dylan, in honor of his 70th birthday

First of all, Happy 70th Birthday, Bob Dylan ! 
The world is a better place with you in it. 

Second, there are billions of people out there who just can't "get" Dylan's music. 
I used to be one of them. 
I couldn't get past all the strange vocal mannerisms.  The swoops at the end of each line and his kazoo voice (which I think can produce the root and the 3rd of a chord simultaneously) were too off-putting for this boy who grew up singing in Southern Baptist choirs. 
But Dylan was always there in the background, lurking in the pages of my Rolling Stone subscription that my grandmother got me every year.  Every now and then Dylan's songs would get played on WHBQ in Memphis, or a little more often on Rock 103 out of Jackson.  Sometimes I changed the station, sometimes I didn't.  I figured Dylan was just a "you had to be there to appreciate it" 1960's thing. 

Dylan became a Christian in the late 70's, and his "Slow Train Coming" album could've been the gateway drug to a proper appreciation of The Great Bob and all his works.  I thought "Serve Somebody", "Slow Train", and "When You Gonna Wake Up" were pretty good songs, mostly because they fit well with the near-fanatical sense of evangelical purpose I felt at the time. 
But "When He Returns" was nothing to me but a series of croaks and groans.  Why on earth would anybody sing that way?  I mean, you could listen to him on "The Freewheeling Bob Dylan" and hear that the man really could hold a pitch for several seconds.  Why did he do that Minnesota Mud Throat thing, and why did so many people like it? 
I just didn't get it. 

And then it happened.  Trisha Yearwood covered Dylan's "To Make You Feel My Love" on the "Hope Floats" soundtrack.  It was a beautiful song, and I had no idea that Dylan wrote it. 



Later on in the same movie, Ol' Garth did the same song.



I liked the movie; I loved the soundtrack.
Years passed by. Dylan kept writing songs. I kept ignoring them.
Then an employee of mine asked me to sing "To Make You Feel My Love" at her wedding. When I was downloading the guitar tab, I saw that the song was written by...Bob Dylan.
I found his original version, and it clicked. I loved it.
I got it.



(Is there any other performer out there who can inspire "conversion stories"?)

In my opinion, the vocal swoops and falls are more than just a weird mannerism. Listen to any of the dozens and dozens of covers of Dylan songs on the internet, and you'll hear people taking his melodies in radically different directions. That's because different people hear different pitches inside those weird-assed roller coaster vocal things he does. Bob Dylan hits every note in the scale when travelling from the first to the last syllable of a word. If you want to sing a Dylan song, you can take your pick of pitches and melodies.

Somewhere in there, your version fits his.

Rolling Stone magazine has published a list of the 70 Greatest Bob Songs.
If you're not yet a Dylan fan, but feel like you're missing something, select one of those tunes. Pick one that has lots of YouTube pickers who cover it. Listen to his fans do the songs. Keep it in your head for a few days. Sing it to yourself.
Then listen to his original. It'll be like finding a King James Bible after making do with nothing but a copy of Good News For Modern Man.

If that doesn't work, at least you'll know that you have an open mind and that you gave it a shot.

Here's one for all my friends in Memphis and the Mississippi Delta. "High Water Everywhere (for Charley Patton)".



I get it now. I get it. Beautiful, beautiful stuff.
Hope you learn to like it.

Sunday, April 10, 2011

Chilifest 2011

Some blog posts deserve a soundtrack.  In this case, let's use Charlie Robison's "Good Times". 
Just let it play while you read. 



Imagine 45,000 of our children jammed into a South Texas pasture, listening to music, dancing, and drinking beer. 
Lots of beer. 
As long as the next generation can get this creative with transporting their beer, our nation will be saved. 


The event is called "Chilifest", and they've been doing this in Shrum Snook Texas since 1981. 

Lord have mercy, what a party. This year the soundtrack was provided by Rob Baird, The Cody Johnson Band, the sheer incomparable mellowed-out greatness of Smooth Max Stalling, Emory Quinn, Sean McConnell, and the Bandera Texas Demigod and Patron Musical Saint of this website, Charlie Robison.  That was Friday. 

Saturday was the Bart Crow Band, Jason Boland and The Stragglers, Stoney LaRue, the Randy Rogers Band, Wade Bowen, and Dierks Bentley. 

The Aggie tells me that there were some other adults there who weren't police officers.  I didn't see them.  The next-oldest audience member was about half my age. 

This was at The Aggie's apartment on the morning we left for the show.  I'm holding an adolescent hog that they call Fat Kitty. 

The good people at Chilifest will allow you to bring in all the beer and (boxed) wine you want, but have a strict prohibition against anything else.  This was going to be my 11th or 12th time to hear Charlie Robison, and I've never experienced Charlie without Jim Beam.  I'm way too old to start any new habits. 

Some of The Aggie's earliest memories are of me using her like a Bolivian Cocaine Mule, taping drink, food, or Cuban cigars to her so that I could enjoy various events the way God intended.  But since The Aggie is now approaching adulthood, she could be thrown out of Chilifest without me if she got busted with my Jim Beam on her person.  I would be inside the fence, and my bottle would be outside.  That would be tragic.  I had to be responsible for my own supply.  I tucked a bottle into one of the folding chair carrying bags and vowed to get it through the Chilifest checkpoints or die trying.  

The Aggie has a new friend named John who rode to Shrum Snook with us.  He's a handy guy to have around, took me shopping for our supplies of consumables, provided the chairs, etc etc etc.  John has been powerlifting since middle school, and looks like he could whoop a fencepost if necessary. 



John and The Aggie got through the checkpoints first.  They only had some backpacks, I think, as our beer had been loaded onto one of our wagons (see pics above). 

I was carrying three folding chair bags, one of which contained my Precious Treasure, my Pearl Of Great Price, my Living Water.  The Chilifest staffers were looking through everyone's coolers, looking through pockets and backpacks, and in some cases opening up bottled water containers to make sure that they didn't contain Everclear.  I elbowed past some of the female security people with a wild look in my eye, screaming things like "Mary !  John !  Wait a minute !  Peacocks !  We have to find the killswitch to the system !!  Wait on the roots to my timing !!  This can't be the right one !!  Senator Charles Grassley, Republican of Iowa !!!!!" 

The female rent-a-cops gave me plenty of room, kinda like they probably did for everybody else who looked stark raving mad.  I was only a few steps away from freedom when one guy who took himself waaaay too seriously stepped in front of me and asked if my chair bags had been searched. 

I craned my neck around as if trying to look into his ear canal and yelled "Searched?  Bags?  Searched?  Mary !!  John !!  Mary !!!!!!   Search !  Search !   I'm gonna be searched over there and I'll meet you back at the car !!  Search !  Where do I remove pants ?? Search??"

The guy waved me through. 
Mission accomplished. 

Inside the campground and concert site, it was like another world.  There were hundreds of Chili cooking teams, each with their own distinctive look, theme, shirts, motives and soundtracks.  

Here's a creative use for a tent:


Every Chili "team" had their own T-shirts.  This one got straight to the point....


Here's a creative use of a quote from one of my all-time favorite books/movies, Larry McMurtry's Lonesome Dove:



Charlie Sheen references were everywhere.  Bi-winning.  Tiger Blood.  Beer-winning.

My favorite:



If these pics have a 1930's Oklahoma Dust Bowl quality to them, it's because 45,000 people can stomp up a lot of dust. 
Since our first wagonload was nothing but beer, John, The Aggie and I made a trip back to the car to get sleeping bags, food, and other necessities.  The Aggie, who has inheritied her father's sense of ridiculousness, got John to pull her in the wagon back to the car. 
A couple of the rent-a-cops looked at John and said "Boy, you're setting yourself up for a lifetime of misery."
True.  So true. 


Here's what the stage setup looked like:


I don't know who this is. 


I was wearing one of these John Jay Myers produced T-shirts.....


....which got me into some interesting conversations with a lot of the Aggie students.  They're overwhelmingly Republican, and can't quite get past the Libertarian insistence on getting the government out of people's bedrooms, medicine cabinets and personal lives.  When I pointed out that most of them were underage, yet drinking like fish, it helped make my point.  Maybe.  I eventually went back to our camp and changed shirts, just so I could be "old guy having a great time" instead of "old guy who is a political conversation piece". 

When I got to the camp, The Aggie had already gotten a tattoo.  Lordy, I'm so proud. 



I made it back to the stage, this time wearing something generic, in plenty of time for Charlie Robison.  He has a new band that rocks a little harder than the previous Enablers.  He sounded great and the crowd was loving every minute of it.  (If you've made it this far, it's probably time to play the Charlie Robison Youtube again up top.  Hit play, and get back to me.)
In fact, Charlie went over too well.  It got so crazy that they had to shut down Charlie's set about 2/3rds of the way through.  Bummer. 

The next day, we took one of our couches up to the stage area.  From left to right, that's John, Jordan and Tyler. 


Here's the look of the place in daylight. 


Jordan, John, The Aggie and Chris the cook. 


Four young ladies that I didn't know, but who were very friendly. 


I had a wonderful, wonderful time at this thing.  Can't thank The Aggie enough for inviting me, especially since fathers were such a rarity at the campsites.  Shrum Snook is a nice place, and the Aggie kids are incredibly polite, looked after me, made sure I didn't lose my Blackberry down in the craziness near the stage.  Well, MOST of the Aggie kids were polite and respectful....


I wasn't passed out.  I was just resting my eyes and brain for a while. 
Great weekend.  Good times.  I love my big girl so very, very much. 

Here's Charlie Robison's classic song "Photograph"




Sunday, March 27, 2011

A poodle and Harry Partch

Here's a video of a dog singing and playing a piano.  I found it on Radley Balko's site.  If you want to get the undivided attention of every dog in your house, turn your speakers up and hit "play". 



Here's a video/recording of noted "serious" 20th century composer Harry Partch, whose compositions I had to study in college, and whose works are still performed by musicians who can refrain from giggling. 



I have no idea what I'm getting at by posting these. But when I heard the poodle playing the piano, it reminded me of Harry Partch.

Friday, February 11, 2011

An explanation of the lyrics of "The Star-Spangled Banner"

Have you ever had the experience of growing up with a song, having it become part of your sub-conscious, and not understanding or even thinking about what the lyrics mean until you are much older? 
I think that's how a lot of people experience "The Star-Spangled Banner".  How many people still know what a "rampart" is? 
There's been a lot of buzz about the song ever since Christina Aguilera butchered it during Super Bowl Disaster Week in Arlington. 
As a public service, I would like to offer an explanation of the lyrics to our national anthem. 

The song was written by amateur poet Francis Scott Key.  He was held captive on a British warship during the War of 1812, and had a front row seat for the bombardment of Baltimore's Fort McHenry.  As humorist Richard Armour once explained:

In an attempt to take Baltimore, the British attacked Fort McHenry, which protected the harbor. Bombs were soon bursting in air, rockets were glaring, and all in all it was a moment of great historical interest. During the bombardment, a young lawyer named Francis Scott Key wrote "The Star-Spangled Banner", and when, by the dawn's early light, the British heard it sung, they fled in terror. 

The thing requires a vocal reach of an octave and a half.  As many a vocalist will tell you, if you start off in too high of a first note, you're going to be in big, big trouble when you get to The Land Of The Free. 


That's all the preliminaries you need.  Here are they lyrics. 

O! say can you see by the dawn's early light,

What so proudly we hailed at the twilight's last gleaming,

It's morning.  The only light you have to see by is the dawn's, and the dawn's light is early.  Pointing out that the dawn's light is early seems redundant, but it was necessary for the meter and the rhyme scheme. 
We're looking for something that we saw last night, something that we were so proud of that we hailed it, even though it was dark (twilight). 
So an evening has passed.  Something was there last night, and we're wondering if it is still there the next morning. 

Whose broad stripes and bright stars through the perilous fight,
O'er the ramparts we watched, were so gallantly streaming?

The thing we're looking for had stars and stripes, and it was capable of "streaming gallantly".  Do you know what the thing was?  Do you?  Give up?  Ok, the thing with stars and stripes, capable of streaming gallantly, the thing that was there the night before but could not be seen clearly the next morning, it was our flag !!

All through the perilous (dangerous) fight (for Fort McHenry), Francis Scott Key watched the flag from the other side of the ramparts (a type of defensive wall).  Got it?  The flag is flying on one side of the rampart, and you're on the other side in a boat with Francis Scott Key every time you sing this song.  You're taking part in an 1812 battle reenactment. 

Fans of the Dallas Stars hockey team put particular emphasis on the word "Stars" when singing the anthem. 

And the rockets' red glare, the bombs bursting in air,
Gave proof through the night that our flag was still there;

Remember, it is still nighttime but the bloody British are still bombing the daylights out of Fort McHenry.  What are they using?  Rockets.  Bombs. 
What do the rockets and bombs produce?  Glare.  Bursts. 
Why are the glare and the bursts important?  The rocket's red glare and the bombs bursting in air do nothing but provide enough light to prove to everyone on the ship that the U.S. flag is still flying over Fort McHenry. 
This couplet is a little jab at the declining effectiveness of British Sea Power, proven true later at Dunkirk and the overkill in the Falkland Islands. 

Fans of the Houston Rockets basketball team put particular emphasis on the word "Rockets" when singing these lines.  Fans of the Cincinatti Reds baseball team put particular emphasis on the word "Red" when singing these lines.  The remaining fans of the Dallas Cowboys football team put particular emphasis on the word "Bombs" when singing these lines, because that's what their team has done ever since coach Jimmy Johnson abandoned Jerry Jones. 

O! say does that star-spangled banner yet wave,
O'er the land of the free and the home of the brave?

The last two lines are less complicated.  The poet is simply asking if our flag with stars all over it is still waving over his country. 
And every time we sing the song, that's where we end it.  We never answer the question.  Francis Scott Key is stuck on the boat in Baltimore harbor, with nothing to eat but truly godawful British food, wondering if the flag is still flying. 
UNLESS YOU SING THE REMAINING VERSES, OUR NATIONAL ANTHEM MAKES NO FREAKIN' SENSE !!!! 

Look at the first verse of Martin Luther's "A Mighty Fortress Is Our God".  If you just sing the first verse, and nothing else, it's like you're singing a song about the power of Satan. 
Singing the first verse of The Star-Spangled Banner without singing the rest is like singing the Beverly Hillbillies song, but stopping before you get to the part where Ol' Jed's a millionaire. 

So why don't we ever sing the other verses? 
Give me time.  I'll get there. 
Here's the second verse, the one that ends the suspense. 

On the shore, dimly seen through the mists of the deep,

Where the foe's haughty host in dread silence reposes,

I'm not sure if this verse is referring to the American army reposing or the British army reposing (haughtily).  I don't think it matters.  The important thing is that it's still misty and things are only "dimly seen". 

What is that which the breeze, o'er the towering steep,
As it fitfully blows, half conceals, half discloses?

Now we're getting somewhere.  Something is blowing fitfully in the breeze on the "towering steep" hill.  Half concealed, half revealed....

Now it catches the gleam of the morning's first beam,
In full glory reflected now shines in the stream:

we're getting ready for the big reveal here....what is it....what is it....???


'Tis the star-spangled banner, O! long may it wave
O'er the land of the free and the home of the brave.



I think I'm as patriotic as the next person, but I'm glad I got that over with.

So why don't we ever sing the rest? 
Because the third verse is kind of embarrassing, especially in light of the "land of the free" business. 

In the War of 1812, the British augmented their army with divisions of mercenaries and freed slaves.  These slaves were promised an opportunity to shoot their former owners if they would help out the redcoats. 
Heck, that's a bargain I would have probably taken. 
Now, look at the third verse in that light: 

And where is that band who so vauntingly swore

That the havoc of war and the battle's confusion,
A home and a country should leave us no more?
Their blood has washed out their foul footsteps' pollution.

The British army stunk up the place with their foul footsteps, but we used their blood to wash the place out. Kinda militaristic and barbaric, but we've all felt that way before, haven't we? 
Now for the money quote:

No refuge could save the hireling and slave
From the terror of flight, or the gloom of the grave:

Yeah, if you try to create an army with hirelings (mercenaries) and slaves (ours), then you're going to get what you paid for.  But by contemporary standards, bragging about a military victory over an army of freed slaves makes the closing couplet into a freakin' joke:

And the star-spangled banner in triumph doth wave
O'er the land of the free and the home of the brave.

Oh...The...Irony.

Let's move on again.  The fourth verse has created all sorts of mischief.  The sentiments have been inappropriately placed in the mouths of our Founding Fathers, created lawsuits about The Ten Commandments in our courtrooms, and have even shown up on our currency.  As far as I can tell, this is where one of our American slogans makes its first appearance:

O! thus be it ever, when freemen shall stand

Between their loved home and the war's desolation.

As long as the freemen are (ahem) white. 

Blest with victory and peace, may the heav'n rescued land
Praise the Power that hath made and preserved us a nation!

That would be a strong Constitution, giving power to the people and acknowledging that we are governed by our own consent.  Our government works for us, not vice-versa.  If higher Powers were involved, it was in pounding that basic concept into some of our heads. 


Then conquer we must, when our cause it is just,

I don't have time to deconstruct that one.  Gotta be at work in thirty minutes.  Let's just say that we've had a long, long run of Presidents who could find a "just cause" for war by looking into a kindergarten dispute about nappy time.   

And this be our motto: "In God is our trust."

It wasn't our motto until Francis Scott Key said that it was.  End of story.  Why couldn't the boys at Fort McHenry just sink his damn boat? 



And the star-spangled banner in triumph shall wave
O'er the land of the free and the home of the brave
Done.  Complete.  Explained.  Hope this has helped.