Yeah. More Work Needs To Be Done. But Not By You.

One of the minor teleprompters at the White House apparently has a virus, a bad one that causes Alan Krueger to repeat himself every month. 

(BTW, this is the same Krueger of the infamous Krueger and Card minimum wage study of New Jersey restaurants that survived a mandatory wage increase.  You could use the same methodology to prove that no one has ever died from Russian roulette.  Don't interview anyone but the survivors.) 

The following is from The Weekly Standard:

When the monthly employment report came out Friday morning, Alan Krueger, Chairman of President Barack Obama's Council of Economic Advisers, quickly commented on the White House blog.  He began with the observation that "more work remains to be done":

April 4, 2013 - "While more work remains to be done, today’s employment report provides further evidence that the U.S. economy is continuing to recover from the worst downturn since the Great Depression. It is critical that we continue the policies that are helping to build an economy that creates jobs and works for the middle class as we dig our way out of the deep hole that was caused by the severe recession that began in December 2007."

If the words sound familiar, there's a good reason.  After a brief respite in March, Mr. Krueger used the same two opening sentences in the April post that were used in the preceding seven Employment Situation blog posts (although to be fair, Megan Slack is credited with the November 2012 entry).

February 1, 2013 - "While more work remains to be done, today’s employment report provides further evidence that the U.S. economy is continuing to heal from the wounds inflicted by the worst downturn since the Great Depression. It is critical that we pursue the policies needed to build an economy that works for the middle class as we continue to dig our way out of the deep hole that was caused by the severe recession that began in December 2007." 

January 4, 2013 - "While more work remains to be done, today’s employment report provides further evidence that the U.S. economy is continuing to heal from the wounds inflicted by the worst downturn since the Great Depression. It is critical that we continue the policies that are building an economy that works for the middle class as we dig our way out of the deep hole that was caused by the severe recession that began in December 2007." 

December 7, 2012 - "While more work remains to be done, today’s employment report provides further evidence that the U.S. economy is continuing to heal from the wounds inflicted by the worst downturn since the Great Depression. It is critical that we continue the policies that are building an economy that works for the middle class as we dig our way out of the deep hole that was caused by the severe recession that began in December 2007." 

November 2, 2012 - "While more work remains to be done, today’s employment report provides further evidence that the U.S. economy is continuing to heal from the wounds inflicted by the worst downturn since the Great Depression. It is critical that we continue the policies that are building an economy that works for the middle class as we dig our way out of the deep hole that was caused by the severe recession that began in December 2007." 

October 5, 2012 - "While there is more work that remains to be done, today’s employment report provides further evidence that the U.S. economy is continuing to heal from the wounds inflicted by the worst downturn since the Great Depression. It is critical that we continue the policies that are building an economy that works for the middle class as we dig our way out of the deep hole that was caused by the severe recession that began in December 2007." 

September 7, 2012 - "While there is more work that remains to be done, today’s employment report provides further evidence that the U.S. economy is continuing to recover from the worst downturn since the Great Depression. It is critical that we continue the policies that are building an economy that works for the middle class as we dig our way out of the deep hole that was caused by the severe recession that began in December 2007." 

August 3, 2012 - "While there is more work that remains to be done, today’s employment report provides further evidence that the U.S. economy is continuing to recover from the worst downturn since the Great Depression.  It is critical that we continue the policies that build an economy that works for the middle class as we dig our way out of the deep hole that was caused by the severe recession that began in December 2007."

Please, please, please, Mr. Krueger.  Stop working. 

On Racism

Libertarians, as a general rule, are all about protecting individual rights. 
There are no "group" rights. 
There are no "minority" rights that can't be more rationally applied to individuals. 
The smallest minority is the individual. 

Libertarians generally despise collectivism. 
The worst form of collectivism is that which lumps the individual in with others, based only on genetic, hereditary, or regional similarities. 
That would be racism. 

Our government employs legions of purity police, dividing their little kingdoms into Hutus and Tutsis, and ensuring that goodies and graft go to each "side". 

They do this because 1) it helps keep them in power, and 2) they see people through a race-based filter.  They know that tribalism is the best method of control.   

They are racists. 

Hope this helps. 

Liberty Book Discussion Group - "It Takes A Village" by Hillary Clinton

Tonight the Liberty Book Discussion Group will study Hillary Clinton's inspirational classic "It Takes A Village".

Join us as we discuss why it's best that Washington's charismatic social-climbers join with you in raising your children, planning their diets, providing their healthcare, evaluating their fitness, dominating their educations, and teaching your little offspring to work for them and only them.

While this is a departure from our usual "free minds and free markets" approach, it's time that we opened our minds to the concepts that have made Europe the creative and economic hotbed that we see today.

So come and learn more about self-enrichment through "public service". 7:00 p.m. tonight. Feel free to bring your own children to this event. We will arbitrarily appoint someone from the group to provide childcare.

And please join us next month as we discuss Ms. Clinton's investment masterpiece "How I Turned One Grand Into A Hundred Grand By Betting On Cattle Futures", co-authored by her supporters who just happened to lose $100,000.00 at the same time.

We'll be meeting 7:00 p.m. April 1st, at the Border's Books & Cafe at 1996 Vince Foster Lane, Whitewater Arkansas.

Happy Easter - The Rough Draft Screenplays

I first posted this back in 2008.  Enjoy!

*****************

I was in the downtown library this afternoon, and saw some papers sticking out of the top of "The Art and Craft of Playwriting", by Jeffery Hatcher. It turned out to be an interesting collection of emails, photocopies of the Bible, rough drafts, and script outlines. Lots and lots of outlines. I believe I have assembled everything from this correspondence in the correct order.

I hope I'm not violating anyone's privacy by publishing this, but it seems like a remarkable project that was abandoned too soon. I encourage others to try it.

******************
Jim,
I know we haven't talked or emailed recently, but I've been asked to "fix" the script for a stage version of The Life of Jesus. The group employing me believes that the Bible is the world's #1 bestseller because it is infallible and 100% free from any errors or mistakes. If that's the case, then it really is the highest quality product ever produced, right?

They see a huge market for a stage version. If they can produce an equally "inerrant" script, the dramatic/stage version should be as popular as the printed text. It should earn a fortune on Broadway, right?

The resurrection scene is giving us some trouble. Since there are five accounts of the event in the New Testament, the original playwright was having a hard time blending everything into a single narrative. This is my first time to be called in as a "script doctor".
Remember, this is only a rough draft, (see attachment) but please let me know what you think.

Your friend,

Brad

 

*********************************
The Resurrection - the infallible and inerrant stage version, rough draft #1, based on the book of Matthew.

Characters: Mary Magdalene, another woman named Mary, an Angel, Two guards, Jesus, Numerous Chief Priests and Elders, Eleven Disciples

Scene: Dawn, Monday in Jerusalem, Sometime around 33 C.E.

Stage design: In the middle of the stage is a tomb with a large stone that can be rolled away from the door as necessary. Overhead rigging is needed to lower an angel to the front of the tomb. To the right of the stage is lighting to simulate "dawn". All trees and bushes around the set must be shaken to simulate an earthquake. A large piece of sheet metal, hanging from a frame offstage, produces the sound of thunder for this earthquake. A mountain scene representing Galilee must be moved into place from stage right.

Mary Magdalene and Mary enter from stage left and approach the tomb. (Matthew 28:1) They're carrying extinguished oil lamps, (no longer burning because of the slowly rising sun). When they are a few feet away from the stone, there is a frightening earthquake. All trees and shrubbery shake violently and thunder echoes across the stage. (Matthew 28:2)
The Angel is lowered to the front of the tomb, and he/she/it rolls away the stone that blocks the door. Rolling away the stone requires superhuman effort and should be accompanied by dramatic music and much flexing and straining on the part of the angel. When finished, the angel calmly sits on top of the stone. The guards begin shaking with fear. The angel looks toward the two women.

Angel: (panting) "Do not be afraid, for I know that you are looking for Jesus, who was crucified. He is not here; he has risen, just as he said. Come and see the place where he lay. Then go quickly and tell his disciples: 'He has risen from the dead and is going ahead of you into Galilee. There you will see him.' Now I have told you." (Matthew 28:7)

The women run away from the tomb, stage left. Suddenly Jesus steps in front of them from stage left.

Jesus: "Greetings". (Matthew 28:9)

The women fall to his feet.

Jesus: "Do not be afraid. Go and tell my brothers to go to Galilee; there they will see me."

The women exit stage left. Jesus disappears backstage. The guards rise, rub their eyes, and begin walking downstage. The chief priests and elders enter from stage right.

Guard #1: We were guarding the tomb.
Guard #2: There was an earthquake.
Guard #1: An angel came down from heaven and rolled away the stone.
Guard #2: The angel told a couple of women that Jesus has risen. (Matthew 28:11)

The chief priests and elders participate in a brief huddle, then turn to the guards with bags of money.

Chief Priest: Here's some money. You are to say "His disciples came during the night and stole him away while you were asleep. If this report gets to the governor, we will satisfy him and keep you out of trouble." (Matthew 28:14)

The soldiers take the money and exit stage right.

The curtain briefly closes and re-opens to show a depiction of Galilee. Jesus appears to eleven disciples on top of a mountain. (Matthew 28:16)

Jesus: "All authority in heaven and on earth has been given to me. Therefore, go and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit, and teaching them to obey everything I have commanded you. And surely I am with you always, to the very end of the age." (Matthew 28:20)

Curtain

*****************************************************

Dear Brad,

I LOVE what you've done so far. (How do you feel about the Olsen twins playing the two Marys? It's just a thought....)

However, I've got a few reservations about using only one source text to tell the story. There are three other gospels, right? See if you can work in some dialogue from those other guys.

I could see Russell Crowe as the angel. What do you think?

-Jim

**********************************************************

Jim,
Thanks for the advice. In this next draft, (see attachment) I've tried to make the scene totally consistent with the book of Mark. It's been difficult, since the oldest manuscripts of Mark all end at verse 8 of Chapter 16. Not as much text to work with, but it is the account that most scholars believe was written first. I think it is much more human, more believable, and much more intense. Please let me know what you think. I'll combine it with the material in the previous version later.
Your friend,
Brad

The Resurrection - the infallible and inerrant stage version, rough draft #2, based on the book of Matthew and Mark.
Characters: Mary Magdalene, Mary the mother of James, an Angel, Two guards, Jesus, Numerous Chief Priests and Elders, Eleven Disciples, Salome, who carries a basket of spices, A Young Man in a white robe.
Scene: Sunrise, Monday in Jerusalem, Sometime around 33 C.E.
Stage design: In the middle of the stage is a tomb with a large stone that can be rolled away from the door as necessary is carefully placed to the left of the open door of the tomb. Rigging must be in place to lower an angel to the front of the tomb The Young Man in the white robe is waiting inside the tomb as the curtain rises. All trees and bushes around the set must be shaken to simulate an earthquake. A large piece of sheet metal is necessary to produce the sound of thunder associated with the earthquake. A mountain scene representing Galilee must be moved into place from state right.

Mary Magdalene and Mary and Salome (with a basket of spices) enter from stage left and approach the tomb. (Mark 16:1)
Salome: "Who will roll the stone away from the entrance of the tomb?" (Mark 16:3)
As they approach the tomb, they slap themselves on their foreheads in amazement. The stone has already been rolled away. (Mark 16:4) The three women walk inside the tomb, where they see the Young Man In A White Robe. They are obviously alarmed. (Mark 16:5)
When they are a few feet away from the stone, there is a frightening earthquake. All trees and shrubbery shake violently and thunder echoes across the stage.
The Angel is lowered to the front of the tomb, and he/she/it rolls away the stone, then sits on top of it. The guards begin shaking with fear.

Angel: "Do not be afraid, for I know that you are looking for Jesus, who was crucified. He is not here; he has risen, just as he said. Come and see the place where he lay. Then go quickly and tell his disciples: 'He has risen from the dead and is going ahead of you into Galilee. There you will see him.' Now I have told you."

The women run away from the tomb, stage left. Suddenly Jesus steps in front of them from stage left.
Young Man In A White Robe: "Don't be alarmed. You are looking for Jesus the Nazarene, who was crucified. He has risen ! He is not here. See the place where they laid him. But go, tell his disciples and Peter, 'He is going ahead of you into Galilee. There you will see him, just as he told you.'" (Mark 16:7)
Jesus: "Greetings".

The women fall to his feet.

Jesus: "Do not be afraid. Go and tell my brothers to go to Galilee; there they will see me."

The women exit stage left. Jesus disappears backstage. The guards rise, rub their eyes, and begin walking downstage. The chief priests and elders enter from stage right.

Guard #1: We were guarding the tomb.
Guard #2: There was an earthquake.
Guard #1: An angel came down from heaven and rolled away the stone.
Guard #2: The angel told a couple of women that Jesus has risen.

The chief priests and elders participate in a brief huddle, then turn to the guards.

Chief Priest: Here's some money. You are to say "His disciples came during the night and stole him away while you were asleep. If this report gets to the governor, we will satisfy him and keep you out of trouble."

The soldiers take the money and exit stage right.

The curtain briefly closes and re-opens to show a depiction of Galilee. Jesus appears to eleven disciples on top of a mountain.

Jesus: "All authority in heaven and on earth has been given to me. Therefore, go and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit, and teaching them to obey everything I have commanded you. And surely I am with you always, to the very end of the age."

The women run from the tomb, stage left, trembling and bewildered. They say nothing to anyone, because they are obviously afraid. (Mark 16:8)

Curtain

**********************************************

Dear Brad,

I hate to tell you this, but I'm disappointed. What happened to the earthquake? What about the lightning? I thought this play had a huge special effects budget.....

What happened to the soldiers? How are we going to convince Russell Crowe to show up if he's just a young man in a white robe and not an angel?

Oh, and where is Jesus? You mean to tell me that you've written a scene about the resurrection of Jesus that doesn't include Jesus?

There's no dramatic arc to your story.

Mark is the oldest of the four Gospels, right? If that's the case, then lose him. Any Gospel author who writes an account of the Resurrection without including Jesus.....well, that writer doesn't have any business writing a Bible story.

You need some action. You need to add additional scenes. You need some music. The three women can't just leave the tomb and not tell anybody what they've seen. Is that really all there is in the book of Mark? Your latest draft makes "My Dinner With Andre" look like "Die Hard 3".

Show me what you can do.

-Jim

******************************************

The Resurrection - the infallible and inerrant stage version, rough draft #3, based on the Gospel of Matthew Mark Luke.

Characters: Mary Magdalene, Joanna, Mary the mother of James, some other women, Two Men in Clothes that gleam like lightning, Jesus, two people going to Emmaus, and Eleven Disciples.

Scene: Sunrise, Monday in Jerusalem, Sometime around 33 C.E.

Stage design: In the middle of the stage is a tomb with a large stone placed to the left of the door. Several strips of linen litter the floor inside the tomb. Special lights are required for the two men in clothes that gleam like lightning.

Stage right represents a rural road for the scene going into Emmaus. A table is needed for the bread breaking in Emmaus. An area on the left side of the stage represents Bethany, where Jesus ascends to heaven. Rigging is required for an authentic ascension.

Mary Magdalene, Joanna, and Mary the mother of James enter from stage left and approach the tomb. Their lamps aren't burning, since it is already early morning (Luke 24:1) Through hand gestures, they express their surprise that the stone has already been rolled away from the entrance. Suddenly, two men in clothes that gleam like lightning appear before them. (Luke 24:4) The Women bow their heads to the ground in fear.

Two men in clothes that gleam like lightning: "Why do you look for the living among the dead? He is not here' he has risen ! Remember how he told you, while he was still with you in Galilee: 'The Son of Man must be delivered into the hands of sinful men, be crucified and on the third day be raised again.' " (Luke 24:7)

The women walk away from the tomb, stage left, where they are met by Eleven Disciples.

Mary: We were going to the tomb to prepare Jesus' body with spices, but the body was missing. Two men in clothes that gleam like lightning told us that Jesus wasn't there, and that he'd risen. Remember when Jesus said he'd be crucified and on the third day be raised again?" (Luke 24:9)

The disciples scratch their heads, trying to remember if Jesus ever said any such thing.

Disciples: We don't believe you. Your words, to us, sound like nonsense. (Luke 24:11)

Peter runs into the tomb, bends over, and looks at the strips of linen littering the floor. He walks away, wondering what really happened. (Luke 24:12) Peter doesn't want to return to his fishing career, and wonders if there might be some way to make some money off all this.

Resurrection Appearances Montage

From the orchestra pit comes the piano introduction to a familiar song. At first it is too faint to be heard clearly, but after about 30 seconds (which gives the crew time to set up the scene on the Road To Emmaus) we recognize it as Whitney Houston's "I Will Always Love You".

Whitney Houston (sung): "If I should stay,
I would only be in your way.
So I'll go, but I know
I'll think of you every step of the way."

Two People Going To Emmaus enter from stage right. (Luke 24:13) Jesus approaches from backstage and begins walking with them. They read the lengthy dialogue found in Luke 24:17-27.

Whitney Houston:
"And I......will always
Love youuuuuuu....
I will alwaaaaaaayss
Loooooove Youuuuuuu..."

The two men invite Jesus to stay with them in Emmaus, and they approach the table at stage left, where Jesus breaks bread, gives thanks, and gives them pieces of the bread. There is a blinding flash of light, and Jesus disappears. (Luke 24:31)

One Of The Men Going To Emmaus: Hey, that was Jesus ! It had to be ! I wonder why we couldn't recognize him?

The Second Man Going to Emmaus: Yeah, it had to have been Jesus. Were not our hearts burning within us while he talked with us on the road and opened the Scriptures to us? (Luke 24:32)

The two men begin the long run from Emmaus to Jerusalem, a journey of 7 miles. (Luke 24:33)

Whitney Houston:
"I hope life treats you kind
And I hope you have all
you've dreamed of.
And I wish you joy
and happiness.
But above all this,
I wish you looooove."

The two men continue to simulate running in place toward Jerusalem. Assuming world record 4-minute miles, this scene will last 28 minutes or longer. Be prepared to play the Whitney Houston recording as many times as necessary.

Whitney Houston:
"And I......will always
Love youuuuuuu....
I will alwaaaaaaayss
Loooooove Youuuuuuu..."

The two men finally return to Jerusalem, where they find the remaining eleven disciples, plus some hangers-on.

Two Men: It's true ! The Lord has risen and has appeared to Simon. We were walking to Emmaus, and a man joined us on the road. We didn't recognize him until he broke some bread. Jesus always had a very distinctive way of breaking bread ! (Luke 24:35)

The Disciples: (Talk amongst themselves)

At this point, they look around and see that Jesus is standing among them.

Jesus: Peace be with you. (Luke 24:36)

The disciples begin to tremble with fear. As the instrumental music continues, Jesus recites the verses found in Luke 24:38-49, while allowing the disciples to see his wounded hands and feet, and eating some fish (Luke 24:43).

Jesus leads them to an area representing the town of Bethany. He lifts his hands to bless them, and then begins to slowly ascend to heaven. (Luke 24:51)
Whitney Houston:
"And I......will always
Love youuuuuuu....
I will alwaaaaaaayss
Loooooove Youuuuuuu..."

Curtain

***************************************

Dear Brad,

Now you're on to something. You can make this work. I don't know how you're going to reconcile the action in this draft with the first two, but at least you've got a decent storyline to work with.

Why didn't they include all this great material in the older versions? And I'm glad we're back to having two angels, or men in clothes that look like lightning. Russell Crowe and Hugh Jackman, maybe? I've become interested in this, and have started doing some reading on my own. Please send me your treatment from the Gospel of John as soon as you finish it.

-Jim

***************************************

The Resurrection - the infallible and inerrant stage version, rough draft #4, based on the Gospel of Matthew Mark Luke John.

Characters: Mary Magdalene, Simon Peter, The Disciple That Jesus Loved, Two Angels In White, Jesus, Thomas, The other disciples

Scene: Before Sunrise, while it is still dark. Monday in Jerusalem, Sometime around 33 C.E.

Stage design: In the middle of the stage is a tomb with a large stone placed to the left of the door. Several strips of linen litter the floor inside the tomb. Over the stage are several small spotlights, which illuminate the main characters in the pre-dawn darkness. There is a burial cloth on the floor that was once wrapped around Jesus' head. To the left of the stage is a small set representing a room in Jerusalem. Another backdrop represents the Sea of Tiberias. A boat large enough to hold several disciples waits offstage, and holds a net. Inside the net are 153 fish. (152 obviously wouldn't be enough. 154, of course, is too many.)

Mary Magdalene enters from stage left. She is carrying a functioning oil lamp, since it is still dark (John 20:1). The flame from her lamp is the only thing visible in the darkness. A spotlight gradually comes on to reveal Mary Magdalene to the audience. She walks to the tomb in the dark, and holds the lamp inside to see that the stone has been removed from the entrance, turns around and returns to Stage Left, where she sees Simon Peter and The Disciple That Jesus Loved (TDTJL - John 20:2).

Mary Magdalene: They have taken the Lord out of the tomb, and we don't know where they hav put him !

Simon Peter and TDTJL run toward the tomb, and TDTJL arrives first. TDTJL looks into the tomb, but doesn't go inside. Simon Peter walks into the tomb and sees the burial cloths on the floor. TDTJL then goes inside. They don't understand that Jesus has risen from the dead (John 20:9). They are puzzled.
Everyone leaves the tomb to go home except Mary Magdalene, who stands outside the tomb crying. While she is crying, she looks inside the tomb and sees Russell Crowe and Hugh Jackman two angels dressed in white. They are seated in the area where Jesus' body had been.

Two Angels: Woman, why are you crying?

Mary Magdalene: They have taken my Lord away, and I don't know where they have put him.

Jesus suddenly appears outside the tomb. Mary Magdalene doesn't realize that it is Jesus. She thinks he is a gardener.

Jesus: Woman, why are you crying? Who is it you are looking for?

Mary Magdalene: Sir, if you have carried him away, tell me where you have put him, and I will get him.

Jesus: Mary.

Mary Magdalene: Teacher !

Mary Magdalene moves toward Jesus, arms open wide. Jesus remembers Mary Magdalene's former profession, and that the two angels are still watching, and that angels tend to gossip.

Jesus: Do not hold onto me, for I have not yet returned to the Father. Go instead to my brothers and tell them, 'I am returning to my Father, to my God and your God.' "

Mary Magdalene runs to Stage Right, where the disciples are waiting in a locked house, since they are afraid of Jews (John 20:19)
Mary Magdalene: I have seen the Lord !
As Mary Magdalene is telling the disciples all the other things that happened, Jesus suddenly appears among them. Andrew, one of the disciples, rises to check the locks. Andrew is obviously concerned that despite all his precautions, a Jew got in the house.
Jesus: Peace be with you !
Jesus shows the disciples his hands and side. The disciples are overjoyed. (John 20:20)
Jesus: Peace be with you ! As the Father has sent me, I am sending you.
Jesus breathes on them, laying the groundwork for the doctrine of The Trinity in about 300 more years.
Jesus: Receive the Holy Spirit. If you forgive anyone his sins, they are forgiven; if you do not forgive them, they are not forgiven. (John 20:22)
The disciples are obviously pleased to hear this, and appear to be drunk with power.
The curtain briefly closes, and re-opens to show the same room later that evening. Thomas is now at the center of the room.
Disciples: We have seen the Lord !
Thomas: Unless I see the nail marks in his hands and put my finger where the nails were, and put my hand into his side, I will not believe it.
The curtain briefly closes, and re-opens to show all of the disciples in same room exactly one week later (John 20:26) as noted by a Page-A-Day calendar resting on a table near the front of the stage. Jesus suddenly appears among them. Once again, Andrew goes from door to door checking the locks.
Jesus: Peace be with you ! Thomas, put your finger here; see my hands. Reach out your hand and put it into my side. Stop your doubting and believe.
Thomas simultaneously feels Jesus' right hand and left side. (The director should resist the temptation to have the two of them do a waltz while locked into this position. There is no mention of any dance is John's gospel.)
Thomas: My Lord and my God ! (John 20:28)
Jesus: Because you have seen me, you have believed; blessed are those who have not seen and yet have believed.
The Voice Of James Earl Jones/Narrator: Jesus did many other miraculous signs in the presence of his disciples, which are not recorded in this book. But these are written that you may believe that Jesus is the Christ, the Son of God, and that by believing you may have life in his name. (John 20:30-31)

From the orchestra pit comes the piano introduction to a familiar song. It's too soft to recognize at first, but we later recognize R Kelly's "I Believe I Can Fly".

R Kelly: "I believe I can fly
I believe I can touch the sky
I think about it every night and day
Spread my wings and fly away
I believe I can soar
I see me running through that open door
I believe I can fly
I believe I can fly
I believe I can fly"

Jesus leaves the room, and begins performing miracles and other miraculous signs. He gives sight to the blind, causes the lame to walk, and bails out the Big 3 chariot makers.

There is a brief curtain to set up the Sea Of Tiberias scene.

The Voice Of James Earl Jones/Narrator: Afterward Jesus appeared again to his disciples by the Sea of Tiberias. It happened this way: Simon Peter, Thomas, Nathanael, the sons of Zebedee, and two other disciples were together. So they went out and got into the boat, but that night they caught nothing. (John 21:3)
Early in the morning, Jesus stood on the shore, but the disciples did not realize that it was Jesus.

Jesus: Had any luck yet? Are they biting? What are you using for bait? Caught anything yet? (John 21:5)

Disciples (irritated): No.

Jesus: Throw your net on the right side of the boat and you will find some.

The disciples struggle to bring their nets on board because of all the fish. (John 21:6)

R Kelly: See I was on the verge of breaking down
Sometimes silence can seem so loud
There are miracles in life I must achieve
But first I know it starts inside of me oohh
If I can see it, then I can be it
If I just believe it, there's nothing to it...
I believe I can fly....

Simon Peter jumps into the water with his corner of the net. The other disciples remain in the boat, pulling the net full of 153 fish. By the time they arrive on shore, Jesus has a fire going and some fish cooking. (John 21:9)

Jesus: Bring some of the fish you just caught.

They drag the net to dry land.

Jesus: Come have some breakfast. (John 21:12)

Voice Of James Earl Jones/Narrator: None of the disciples dared ask him, "Who are you?" They knew it was the Lord.....

Jesus takes the bread and gives it to the disciples, along with some fish.

Voice Of James Earl Jones/Narrator: This was now the third time Jesus appeared to his disciples after he was raised from the dead.

Jesus, Simon Peter, TDTJL, and the other disciples give a straightforward reading of the dialogue found in John 21: 15-24.

Voice Of James Earl Jones/Narrator: Jesus did many other things as well. If every one of them were written down, I suppose that even the whole world would not have room for the books that would be written. (John 21:25)

Curtain

*******************************

Brad,
That last line of you latest draft...."If every one of them were written down, I suppose that even the whole world would not have room for the books that would be written."
All I can say is, thank God we don't have those other books to worry about.

I do have one other suggestion for you. In an earlier email, I told you I've been doing some reading on my own. I Corinthians, chapter 15, verses 3 though 8? Have you ever read it?

Paul says in I Corinthians that after Jesus rose on the third day after his crucifixion, Jesus first appeared to Peter, then to the Twelve Disciples, then to 500 other people, then to James, then to the apostles, and then to him (Paul).

That's supposed to be infallible and without error also, right? Why don't you start with that, and then see how you can make the gospel stories fit into Paul's I Corinthians story?

Just a suggestion.....

Your friend,

Jim

***************************

Jim,

I hate to tell you, but I've given up on this project. I've used up 15 legal pads, two Bibles, and countless hours on the internet trying to make the pieces of this puzzle fit together. All of the funding for the Off-Broadway production has dried up; the producers are now working on a stage play that will explain Fidel Castro's role in The Kennedy Assassination.
I didn't even make it to Paul's story in I Corinthians. I wish you hadn't sent those verses to me. They make my head hurt. I don't remember how Paul died, but I hope it was painful.
I've been reading a lot also, mostly books by a guy named Dan Barker.
I'm also interested in some guys named Marcus Borg and John Shelby Spong, and anyone else who doesn't use the words "inerrant" or "infallible".

Your friend,

Brad